{"id":1284,"date":"2025-12-23T16:20:40","date_gmt":"2025-12-23T16:20:40","guid":{"rendered":"https:\/\/www.visible-language.org\/journal\/?p=1284"},"modified":"2025-12-23T21:05:40","modified_gmt":"2025-12-23T21:05:40","slug":"issue-59-3-hypertangible-novel","status":"publish","type":"post","link":"https:\/\/www.visible-language.org\/journal\/issue-59-3-hypertangible-novel\/","title":{"rendered":"Constructing the Hypertangible Novel: Writing and Design as Process"},"content":{"rendered":"
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Issue 59.3<\/h5>\n

Word | Image | Space | Materiality | Experience<\/a><\/p>\n

Beyond (Type)Face Value: A Systematic Literature Review Examining Design Factors Influencing the Legibility and Readability of Typography<\/a><\/p>\n

Scripts in Dialogue: Reinterpreting Visible Language Covers through Bilingual Design Workshops in Kuwait<\/a><\/p>\n

Constructing the Hypertangible Novel: Writing and Design as Process<\/p>\n

Sensational Design: Layout and Display Typography in the Visual Rhetoric of Information Disorder<\/a><\/p>\n

The Visual Language of Textile Tickets in 20th-Century British India: A Collection from B. Taylor and Co.<\/a><\/p>\n

Augmented Reality for Campus Wayfinding: Enhancing Navigation Efficiency and Student Social Engagement \u2014 A Case Study of Leeds University Union<\/a><\/p>\n

Professor James Mosley, a Memoir<\/a><\/p>\n

Professor Michael Twyman<\/a><\/p>\n

Download Issue 59.3 \u27a4<\/a><\/p>\n<\/div>\n

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Constructing the Hypertangible Novel: Writing and Design as Process<\/h1>\n

Berta Ferrer<\/h3>\n

University of Reading, UK (berta[at]arquitectadelibros.com)<\/h4>\n
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Abstract:<\/span> As the printed book co-exists with the influence of the digital, narratives become hybrid and are transformed into documents in which the content can very easily flow from one form to another. As a result of this, the first decades of the 21st century have seen the emergence of publications that challenge traditionally orthodox reading practices. This article examines the response to the digital development in novels that foreground the material dimension of the narrative and are print-specific. These works do not reject the digital realm but absorb its characteristics and expand the possibilities offered by the material dimension of the book. By analyzing Graham Rawle\u2019s Woman\u2019s World and its process of creation through the collage and cut-up techniques, this article aims to show how design can contribute to foreground the physical dimension of literature in novels with hypertangible qualities. This examination draws attention to design being embedded in the writing process that constructs both material and narrative dimensions. Findings show that these novels can be a product of a \u2018designwriting\u2019 process, in which design serves both as a tool to shape a narrative, and as a process that expands it and creates an object that offers an embodied reading experience. Ultimately, this highlights the importance of physical reading in the age of digital media.<\/p>\n<\/div>\n

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Keywords:<\/span> book design; creative process; hybridity; materiality; print<\/p>\n<\/div>\n

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